Ordinary Days

Kirsten wrote about the beauty of ordinary life. This is something I’ve been thinking a lot about lately. In any story, the resolve we seek is not the high emotions of the climax. It is the (sometimes assumed) ordinary days. In them lies the happily-ever-after.

In the liturgical calendar, we have two periods of ordinary days. The first follows Epiphany, and the second period occurs after Pentecost. After the high emotions of Advent, Christmas, and Epiphany, after the extreme sorrow and celebration of Lent, Passion Week, Easter, and, finally, Pentecost, we have ordinary days. In these days, we live most of our Christmas life. 

Paul tells us to rejoice in everything and to be content. This joy and contentment occurs in our beautiful ordinary, as Kirsten calls it.

Here’s why I’ve been noodling on this lately: world-wide, nationally, and personally, uncertainties threaten our joy and contentment. My response–escape. I want to sail away (I’ll give you a moment to finish the Styx chorus). I want to bury my toes in the sand of a white beach and my thoughts in a book.

But we can’t live in the escape. We live in between the anticipation and hope of our Savior’s return and the joys of our ordinary lives. To the rhythm of our rosary beads click-clacking between our fingers, we run errands and wash dishes and change sheets. We care for the widow and orphan. We dance to a favorite song. We sip our wine and chew our bread. We work, bringing good to the earth through our businesses. These are the sacraments of our ordinary days, bringing grace and beauty in ordinary elements.

Tapestry: Beauty Resurrected

I have to be honest: This is my favorite piece I’ve written on beauty. It might be one of my favorites I’ve written period.

At Tapestry today, I blogged about Beauty resurrected. A taste:

"Beauty transforms. This does not mean that it smooths over like
retouched photos. It doesn’t erase–Christ’s resurrected body had scars
in his hands and feet. Instead, it draws us into God’s story and
through that, gives life and vitality. It takes a prostitute, a
mourning widow, and a rape victim and includes them in Christ’s
ancestry. It makes a couple grieving over infertility for almost a
hundred years give birth to a nation. It shows how a couple who
committed adultery then murder to hide their shame raised the man who
would build the most magnificent structure in Israel’s history."

(Read the rest here.)

I love the Easter season. In Lent, we join Christ’s fasting in the wilderness. In Passion Week, we enter into his suffering for mankind.

But in Easter, we join Christ’s defeat of death. We join his new life. We celebrate! To participate in this celebration of new life, I’m taking up two new things. The first, I mentioned before, is a new small group. It’s just three of us, and the study combines lectio divina with spiritual disciplines. I love the other two girls in the group. I’d say I can’t wait to see what God will do with this–and that’s true–but I already see him working.

The second is related: as part of the lectio divina we practice daily, I want to meditate through visual art. This is not a particular talent I have. I won’t be a rich and famous painter someday. But as I meditate on the patterns and rhythms of the Scripture, as I pray through them, I’m drawing, collaging (well, it’s a word now!), and painting.

So those are my Easter practices.

 

 

The Creative Life: Gardening

Those crazy peas. Look at them winding around each other, clinging like they can hold each other up. I shake my head with an amused smile and guide their limbs so they can grab onto the trellis.

The squirrels–not so amusing (although I’m sure after I’ve covered my beds with cayenne pepper, they’ll provide plenty of entertainment). More holes! And my poor seedlings. Another two bite the dust.

Today is Earth Day, as you may well know, and the perfect way to celebrate Earth Day is with gardening, a joy I’ve recently discovered. Gardening combines the fun of getting your hands dirty with the wonder of watching seeds become ripe tomatoes with the pleasure of beholding beauty you’ve helped cultivate.

In gardening, we work alongside God. We can’t make our flowers grow (50 points for song and musical reference), but we work in joy as we create spaces for their beauty. I can’t point to the tomato and claim that I made this, but I can claim to have grown it.

We taste the pleasure that Adam and Eve must have felt in their garden, and we foretaste the beauty of the new earth, lush with healing fruit. God never intended us to sit back and watch. We participate, and my hands submerged in a mix of soil, compost, and, yes, cow manure, I feel a bit of what God must have felt when he pronounced his creation good.

A new tradition: the past three years, my mom has come up for a week to help me with my garden (she knows I’m hopeless without her!). The first year, we started a small flower garden in the front yard. The second year, we added containers of tomatoes, peppers, and herbs (and one of artichoke, but since nothing came of that, I prefer not to mention it). This year, my husband built three raised beds, we ordered dirt from the city (did you know they deliver?), and my mom and I sprinkled in seeds of peas, squash, cucumbers, peppers, spinach, corn, green beans, cantaloupe, watermelon, carrots, lettuce, onions, and half a dozen herbs.

(Okay, so technically, a couple of the above were transplants, although most were seeds, and while my mom and I did quite a bit of it, not all of those could be planted in the week she was here. If you must know the truth.)

Daily, I visit my garden. What seedlings will I find? What new growth? You think me impatient (and, yes, I have impatiens). You think me naive to look for something new everyday. But it’s there: a new daily joy. Ah, I love my garden. 

As an added bonus, a sneak peek into my raised bed vegetable garden:

Psst–If you find this post interesting and think others might so as well, would you mind taking a minute to stumble it? It would mean a lot to me.


Art and Theology Podcast: An Interview with Dr. Reg Grant, Part 1

In this podcast, I speak with Dr. Reg Grant, professor at Dallas
Theological Seminary, published novelist, actor, and apparently tap-dancer. In this part, Reg shares how two films affected his life (good timing with November’s Artuality on movies!), and we begin our discussion of
the artist’s pursuit of truth.

Dr. Grant taught me about story structure and arc and character development.

This podcast runs four and a half minutes.



Art and Christianity: An Interview with Dr. Glenn Kreider, Part 4

This is the fourth and final part of my interview with Dr. Glenn
Kreider of Dallas Theological Seminary. In this conversation, we talk
about the importance of the physical redemption of the earth to our
theology of art.

This video runs under four minutes.



Art and Christianity: Interview with Dr. Glenn Kreider, Part 3

This is the third segment of my interview with Dr. Glenn Kreider,
professor at Dallas Theological Seminary, about art and Christianity.
In this part, we talk about facing the evilness in this world and
bringing in the hope of the day when God will set everything right.

And we talk for a moment about Sweeney Todd, my favorite musical!

The podcast runs under 6 minutes.

See Part One and Part Two



Art and Christianity: An Interview with Dr. Glenn Kreider, Part Two

This is the second part of my interview with Dr. Glenn Kreider, a professor at Dallas Theological Seminary. The interview is about beauty and sentimentality, and this segment looks specifically at the cross and resurrection.

The video runs about 5 minutes.

Related quotes from "Beauty, Sentimentality, and the Arts," an essay by Jeremy Begbie in The Beauty of God: Theology and the Arts:

"In a nutshell, Christian sentimentalism arises from a premature grasp for Easter morning, a refusal to follow the three days of Easter as three days in an irreversible sequence of victory over evil" (p. 61).

"Easter does of course throw its light on the ‘renting’ of Friday (to use Yeats’s word), but not a soothing glow so much as a white light that exposes the rupture between Creator and creature, the depths to which the human creature has sunk and the depths to which God’s love is prepared to reach" (p. 62).

"This is emphatically not to say that the crucifixion as an event of torture and death is really beautiful and not ugly, if only we would change our perspective. That would be gross sentimentality (and, of course, opens the door to sadism or sadomasochism). But it is to say that in and through this particular torture, crucifixion and death, God’s love is displayed at its most potent" (p.63).

You can see part one of the interview here.



Art and Christianity: An Interview with Dr. Glenn Kreider

A month or so ago, I had the pleasure of interviewing three professors at Dallas Theological Seminary who’d influenced me.

Dr. Glenn Kreider was one of them.

I only had Dr. Kreider for one class, but in that class, he raised questions that made me think differently. Incidentally, Dr. Kreider introduced me to Chagall’s White Crucifixion. Dr. Kreider used art in his teachings and allowed me to write songs instead of papers.

I broke up the interview into a few parts. This is part one. We talk about how Dr. Kreider came to realize the importance of art and the dangers of sentimentality.

This podcast runs approximately five minutes.

Beauty and Truth

I began a discussion on Intersection regarding the nature of Beauty and Truth, particularly in their relationship to one another. It relates to all forms of art, including story (novels, film, and plays), visual art, performing art, music, and everything else in between. It’s an issue that I’ve been tossing around in my mind, and I’d love to get your feedback to it. Go here to join the debate.

Beautifully Unuseful to God

I find it amusing that today’s word of the day (from the Merriam-Webster daily email) is "luftmensch" (pronounced LOOFT-mensh). It means "an impractical contemplative person having no definite business or income."

In other words, me.

I especially find it amusing considering my blog topic for today.

The Transforming Culture symposium presented the six plenary questions in what felt like a story (as a friend said and I affirm). The first plenary session was done by Andy Crouch. (Side note, for those going to the Calvin Festival of Faith and Writing later this month, I believe he’ll be speaking there.) He addressed the question, "In what way is art a gift, a calling, and an obedience?"

In other words, it’s the call to adventure, the beginning of any story.

I cannot begin to give you his entire message, but I will tell you what it generally impressed upon me. Please keep in mind that what I talk about today on my blog is not a transcript of Andy’s session, it’s my interaction with it. For more of his words directly, I’d suggest pre-ordering his book, Culture Making: Recovering Our Creative Calling. Baker said that they will have a book coming out based on the conference itself. Also, as soon as I find out where we can get the audio files of the conference, I’ll let you know.

Back to the session. Andy went through the creation account in Genesis in order to understand culture. He developed the idea that creation was not just utilitarian but also beautiful, that, in fact, some of the aspects of creation (i.e. gold, opal) hold their real value in beauty alone. These aspects reach their full potential when they are discovered and cultivated by the gardnerers. Speaking of these gardeners–our gardening comes from and mimics God, the culture-maker or cultivator.

As gardeners, we cultivate, or create art from the beauty God’s given us.

It’s a gift.

This art is unutile. It is unuseful. It is itself, without any attachments to utility or pragmaticism, worthwhile.

This is the beginning of my story. Crafting stories, or story-telling, is a gift from God. It in itself is beautiful and worthwhile. Do you know the freedom I have in this? While evangelism or social justice are not bad things in art (although they are often badly done), I don’t have to submit to them. My stories are beautiful stories because they echo the voice of the Storyteller.

As Andy said, my stories are beautifully unuseful to God.

They are like incense lifted to God. They are like a cheetah running and running because he can, because God created him to run. They are like honeysuckle weaved around a fence that has no other use other than to be pleasing to the eye, delightful to the nose, and surprising to the tongue.

What do my stories have to do? Be beautiful.

Andy pointed out that there are two things artists do that requires a vision of life as a gift: (1) play and (2) pain (enter into pain).

This statement affirmed me. It’s okay that I like to play with Play Doh. It’s okay that I dance around the house for no reason other than my favorite song just came on. It’s okay that I have to pause the movie because I’m crying too hard to continue. It’s okay that a squirrel dead in the road breaks my heart.

Besides affirmation, it also firmly plants us in art in a world that is at once created beautifully, corrupt, redeemed, being redeemed, looking forward to redemption. One without the other is less than. Play without pain leads to art that is too easy, comfortable, willing to let us settle for a life that has no ultimate hope because it too easily finds hope in the fading. Dare I say it is sentimental? Pain without pain leads to art that is masochistic and without grace.

Andy’s bringing together of these two aspects reminds me of my vision of art as baptism: immersing itself into Christ’s death and emmerging in Christ’s resurrection. As little Christs or the Body of Christ or the Church, we incarnate His redemption and love and suffering for the world.

This is our call as Christians.

This is our call as artists–a call to create beauty without being afraid of brokenness. A call to champion the "unuseful" in our world (and here, Andy meant people that the world considers "unuseful").

God doesn’t love us and delight in us because He has to or because He needs us. He loves as an outpouring of Himself. We are beautifully unuseful to God.

My art is beautifully unuseful.

So must my love extend to the beautifully unuseful.