"This may sound like gibberish to you, but I think I'm in a tragedy."

"The only way to find out what story you’re in is to determine what
stories you’re not in. Odd as it may seem, I’ve just ruled out half of
Greek literature, seven fairy tales, ten Chinese fables, and determined
conclusively that you are not King Hamlet, Scout Finch, Miss Marple,
Frankenstein’s Monster, or a golem. Hmm? Aren’t you relieved to know
you’re not a golem?"*

It’s time for a cage fight.

You see, as I work on some edits to my current book, realizing that we’re coming to the end of our relationship (or at least taking a break ["We were on a break!"]), I’ve begun researching my next book. Certain it would be this character over here, I devoured fiction books similar to the place and people, nonfiction books about what happened, people in the know (okay, so I didn’t devour the people so much but what they said).

Then this other character demanded my attention. It began with a light tapping (itself annoying but, I thought at the time, ignorable). It moved to, well, more tapping. I gave her a short story. She demanded more.

As a writer, choosing your next book is more stressful than shopping for clothes online. In selecting this story and these characters, you commit to them for the next part of your life, however long that may be. You promise, I will not stray; I will not abandon you (a promise that sometimes needs to be broken, if we’re honest, but we can’t tell the characters that).

I have three stories, three casts of characters waiting to be explored. I must choose one.

Perhaps others can devote themselves polygamously to several stories at once. I believe in monogamy. Oh, I can dabble with a short story while working on a novel (in this metaphor, would the short story be my mistress?), but two wives, wshoo! 

So these characters shout and yell and demand to be heard above the others. And I’m left to choose. The thing is, these characters are fickle. Why, not two years I tried to write this character’s story. But would she let me in? (I could make a comment about a locked chastity belt, but that might be taking the metaphor too far.) And now she insists upon her turn.

Just like a woman!

Ah, well. If I must, I must.

*Small-ish, fine-ish print: Title and opening quotes from Stranger Than Fiction

"I'm very important. I have many leather-bound books and my apartment smells of rich mahogany."

I love a good movie. I love the story. I love the artistic interplay of the writing, directing, acting, sets, costumes, music. I love reclining in that chair in the movie theater and watching it all unfold in two hours.

But I love books more. In movies, time speeds up, but in books, time slows. You have to commit to a book. If it’s a bad book, you lose more than two hours of your life. But if it’s a good book, you’ve immersed yourself more thoroughly in its characters and stories. It’s not a quick dip in the pool. By the time you’ve come to the end of the book, your fingers and toes are like prunes from the water.

The characters get under your skin. They become part of your life for more than two hours but for days, possibly. And because of this, they stay part of you.

HALLATROW, UNITED KINGDOM - DECEMBER 12:  Book...

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Taking a movie back to Blockbuster is humdrum. Ho, hum, I think. Exchange this one for a new one. Out with the old; in with the new.

Taking a book back to the library tears a piece of me out and leaves it on the shelf with the book, smashed between pages 112 and 113. I mourn when I come to the end of a book. And I continue to have conversations with the characters. Anne, who shall we pretend to be today? Sully, how’s that knee doing? Tell you what, let’s run up to Rosy’s for a drink and see if that helps. Recently, I introduced Rebecca and Lauren, and though both are quiet, they’ve developed quite a friendship.

Movies draw me in, it’s true. I laugh. I cry. I get involved. And my favorite movies, I watch over and over again, and that process makes me part of it.

But I enter into a book on the first reading. I don’t easily move on to the next. I can’t say, "Oh, that was nice. What’s next?"

Movies make me think. They show me different perspectives. Or make me think about old perspectives in fresh ways.

But books shape who I am.

Title quote from Anchorman.




Memorial Day Musings

I started a new book last week! Writing the first few pages helped deteriorate the fear crippling me. I stalled and stalled knowing that what comes out on the page will never be what’s in my head. It’ll never be good enough.

I have to write anyway.

With that in mind, here’s a peek into my life:

That’s the bulletin board over my desk (which my husband would argue was his desk confiscated by a foreigner). Notice the fairy crown on the left. Needed for inspiration, of course. I don it when my imagination feels particularly unfairy-like. Lots of pics–my parents’ prom picture, pics of my niece and my hubby at eight (I think), of the two of us, of my great-aunt teaching me piano basics when I was five. Some of my SPS cards from the Colossians study (week 3′s card is in the works). Tickets of my favorites–Sweeney Todd and Rent. Prayer drawings (chalk) on the right–Brenda Gribbin led a group of us through that using images to pray. And smack in the middle, three of the characters from my new novel.

That’s Veronica, or Morning Sea. She’s the main character. I blurred out part of it because I’m not ready for you to know that yet, although I fear I may not have blurred it enough. Note that Veronica looks a lot like singer/songwriter Kathleen Edwards with purple hair. Huh. Funny how that worked.

Meet Guy and Julianne, who will become Veronica’s best friends. 

Lot of empty space. I’m still getting to know them.

Random musing #2–tomorrow, I’ll talk about Jeremy Begbie’s session at the Transforming Culture. It’ll be the last in the long, drawn-out series. But the truth is, I love talking about art and theology and art and the Church, so my question is, what would you like to talk about in that space? Do you have questions that you’d like to see the community tackle? Have you been wondering about how to get some artsy stuff going at your church? My ears are open.

Random musing #3–today’s the last day to win a $50 gift certificate to Barnes and Noble! Details here.

Random musing #4–yesterday’s sermon on Matthew 6, listening to another section from Dark Night of the Soul (I’m working through the book v-e-r-y slowly), and spending most of the weekend reading Embrace Me by Lisa Samson (review up sometime this week) has me thinking about some things. Nothing new, really, but some things I needed to be reminded of. More on this later. Still working this out.

In My Own Little Corner, In My Own Little Chair

Christie at Whistling in the Dark is talking about her favorite character: Jo March. Jo March is my favorite second favorite character, second to, of course, Anne of Green Gables. Christie talks about stealing some of their magic, and I agree. We want part of their magic. That’s why we dream, why we read, why we act, why we watch movies or plays or musicals.

I want to be Anne because I love her whimsy and her candor. I love the child who wasn’t afraid and the woman who never lost her childlikeness. I love that she embraces life and always loves right where she is.

Let’s start a club, a what-character-do-you-want-to-be club. It could be like Halloween, except better.

Who do you want to be? 

Cows and Fires

My husband knows how to make the perfect steak. He knows how to
marinate it, and he knows how long to leave mine on the grill. You see,
I like my steaks rare. No, I like my steaks to pretend that they’ve
seen the fire from a distance. Purple and juicy and zapping with flavor.
I like my characters the same way.
When
I come away from a book and know what so-and-so would say or do or wear
in a situation different from the book without the author telling me,
"Hey, Gerard is the type who would cling to his mother and can’t make a
decision without her and to some extent is afraid of her." I want to
think I’m smart and can figure this out on my own. (No comment fromt he
peanut gallery, please.)
Sometimes I leave my characters on the
grill too long, grilling them with reflective questions until they’re
tough and almost burnt, well-done instead of delicate and tender.
Sometimes I become more of the psychologist and less of the author.
"How does this make you feel?" I ask.
Of course, psychologists would
probably make great authors. Think of all the interesting characters
they have stocked in the files.
Point being, let the steak moo for itself.

From the Spleen

After all the craziness of life, family operations, family reunions,
vacations, and projects, I believed coming back to my books would be
like dusting a rarely used room (or an often used room that rarely gets
dusted, not that I would know of such things).
Not so much.
My
characters were none too pleased with me. Marnie, after letting loose a
string of insults, which were a mixture of kindergarten knocks,
street-savvy slaps, and Shakespearean slams, gave me the cold shoulder,
making a show of pouring a single glass of Shiraz. Itzel, well, she had
flat-out disappeared. I searched and searched, finally finding her in a
closet. She gave me a smile I knew to be not her own, said she was
fine, and went back to smelling her mother’s skirt.
Hey, I told them
in my maternal voice (ironic since the only one I have to be maternal
to is the one fish that’s left, George), I brought you into this world,
and I’ll take you out.
Marnie harumphed and swilled. Itzel pulled out a notebook and added to her list of idioms.
Fine.
Three can play at this game. I sat in my corner and opened up a browser
window. I can read blogs all day long, I informed them.
But then I
got a craving for flan, and only Itzel knows Maria’s secret recipe. And
I came across a website that would have Marnie laughing until she had
to hop up the stairs with her legs crossed and barge in on her teenaged
daughter lest she not make the toilet. We’d have to make up sooner or
later.
"I’m sorry," I whispered. "I messed up. Can you guys forgive
me?" It was enough for Itzel, who, after all, had been in my shoes,
well, maybe not my shoes exactly since she and I don’t wear the same
size. She ousted herself from the closet and gave me a hug. Marnie, on
the other hand, was not so easily placated. Good thing wheedling and
groveling are my specialty. "I’ll babysit for free and you can have an
entire night to yourself."
"My mother will do that if I need it, thank you."
"I’ll order panzorattis."
"I can get my own panzorattis."
"Do you want a new hairdo? Hair color? Chestnut or copper, perhaps? They seem to be all the rage. Almond eyes? Bedroom eyes?"
But I only insulted her.
"Marns, maybe we should-"
"Itzel, I will decide for myself what I should or should not do."
Itzel ran back into the closet.
"I’ll let you have a happy ending."
Again, an idle threat since she knew she decided these matters better than I ever could. She was not fooled.
Then
I knew what I had to do. It would hurt me more than it would hurt her.
"I’ll start working on my next book." It was below the belt, I realize,
but sometimes a person’s gotta do what a person’s gotta do.
Her face contorted into what I can only describe as a fish’s lips wrapped around a stinging anemone. "You wouldn’t."
"I don’t want to. You and I, well, we wouldn’t just turn our backs on one another."
It
was enough. After all, she knows about the Broadway wanna-be and the
African missionary couple. She retrieved from her cupboard another wine
glass, which was not a glass at all but a Garfield mug from an old
McDonald’s collection, and poured. Itzel, happy to be reunited,
immediately began blending eggs and sweetened condensed milk, keeping
her body between us and her cooking so as not to give away Maria’s
secret ingredient.
And we all lived happily ever after.

The Man at the Windsor Inn

I have to tell you about a man I met while I was in D.C. He’s the owner and/or manager of the Windsor Inn, a renovated house, small and old but accommodating. No elevator. Armida stayed there.
The man has an eastern European accent, which makes him instantly charming, of course. His hair is graying and thinning. It looks like a self-cut job with that Einstein every-which-way look. That particular evening, he wore a black and white plaid shirt with a burlap tie and a corduroy jacket. You know, the kind with the patched elbows. He always held his glasses, which dove and flew through the air, occasionally subject to a good sucking while he thought. He sensed when his boarders needed something and jumped up to help with that smile that at least looks genuinely pleased that we needed him. You can’t really tell where he is looking because his eyes go different directions, but eventually his smile hides that.
This man looks like the sort of man with whom you want to be friends. He looks as if he has hidden tales, stories that twinkle in his eyes, and it’s your job to prod him along, just enough to get the once upon a time.
I tell you about this man because I want to go back and meet him again. I lost, you see, because I only spent the two minutes with him, asking about how to get to the White House. Oh, that I had spent more time, that I had gotten the once upon a time.
I tell you about this man because he just might show up in my next book. Not my current WIP, but my next book. The ideas are simmering, and this man is jumping up, pleased to help.