"What the artist has developed . . . is a telos that is less explicitly religious in its subject matter but more profoundly religious in its structure, a structure that not only pervades his subsequent work but underwrites his behavior as an artist and human being, guiding his thoughts, words, and deeds."
- Daniel Siedell, God in the Gallery, p. 58
I’m currently reading this book, and in Siedell’s analagy of a painting called Thing and Discovery by Enrique Martinez Celaya, Siedell made this observation. Yes! I said out loud (yes, I actually said it out loud, though no one was near to hear me).
CBA books are considered Christian or not by their content: Is the book about a Christian or about someone wrestling with Christianity? And this is legitimate. But so many of us want something more, something deeper. Many times, my writing is not about a Christian or about someone confronting the ideas of Christianity, but Christianity undergirds the structure of the story itself.
Which leaves me with the question: Does CBA have a place for this kind of writing?
Side note: I’m off to a retreat this weekend. I’ll be teaching a session on film called Popcorn Theology: Seeing God’s Beauty at the Movies.






