There, I've Said It Again

I’m egalitarian.

There, I’ve said it. My confession.

I haven’t always been, but studying the issue more over the past five years led to that conclusion. But for the past couple of years, I didn’t say anything. Maybe it will keep me from ministering to some people if I said it publically, I thought.

That’s a selfish reason in the end.

I finished The Blue Parakeet by Scot McKnight this week for Solomon Summaries. It’s not a book about women in the church, but he uses that issue as a case study to demonstrate how to read and interpret the Bible for today. (Side note: I highly recommend this book because it combines two of my passions: reading the Bible as story and understanding cultural contexts both of the Bible and your own context. It’s well written and great for lay level–i.e. not a high-language elitist book. But my full review will be up in two weeks at Solomon Summaries.) Back to the subject at hand. In The Blue Parakeet, Scot tells briefly his story about his move to being egalitarian and to speaking out about being egalitarian. 

It was healing.

I’ve been in churches where I couldn’t minister in a way I felt led because I’m a woman. For example, when a Sunday school teacher was needed, I volunteered. After all, I’m trained, and I love to teach.

I was told I couldn’t.

Instead, they chose a man who wasn’t trained and who didn’t particularly want to teach.

Let me stop here and say I still think that church is a great church and does a lot of great ministry. No church is perfect, and God uses all of us imperfect people and imperfect churches. (I also don’t think you’re a bad person if you’re complementarian.)

I cried reading Scot’s story because he affirmed I’m not a bad person. I’m not on some slippery slope destined for liberalism. I don’t love the Bible any less than a complementarian. So I’m speaking up now because perhaps by doing so, it might be healing to another. In doing so, I no longer hide but work toward the resurrection in some way–a world where perfect harmony is restored.

Another time, perhaps, I’ll tell you why I believe spiritually mature, gifted, and called women can lead churches in the same way spiritually mature, gifted, and called men can. For now, it’s enough that I’ve said it.

I’ve said it, what more can I say?
Believe me, there’s no other way.
I love you, I will to the end.
There, I’ve said it again.

September's Glimpses (and other zine related events)

Here we are, approaching the beginning of a new month.

(Some of us are still in mourning from the end of the Olympics.)

But we all know what the beginning of a new month means.

Glimpses!

This month, I have an interview with, story of, and art by Makoto Fujimura. I also have a blurb on worshipping creatively in your Church. You can sign up on the sidebar.

Also, ready for the big announcement?

(No, Mom, I’m not pregnant.)

I’m moving from a Religion/Philosophy channel editor at Blog Nosh to a Fiction/Poetry editor. So here’s what I’m looking for (in this order):

1. Posts with short fiction or poetry

2. Posts about the craft of creative writing

When you email me your blog posts for consideration, remember:

1. The posts need to have fallen off your first page.

2. Send me your blog URL, the post URL, and your RSS feed URL.

Email them to me!

Glimpses ezine

Glimpses ezine features Christianity in art and life. Each quarter, subscribers receive in their email an issue that contains a feature on a person or group, a work of art, such as visual art, poetry, and flash fiction, and a devotional on what it means to live as the Church creatively and artistically. 

What others are saying about Glimpses:

Glimpses ezine merges social consciousness, the arts, and solid Biblical theology to deliver a monthly conversation that draws me out of the role of "armchair Christian" and into the challenge of active devotion with the gifts the Lord has given me for right here, right now.

Erin Teske, Artist and Cofounder of Soul Per Suit

As a bi-vo pastor and business owner I have a
very tight schedule and have little time to read all that is sent my
way via email. However, I look forward to receiving
Glimpses for its rich content on a single page. I’m challenged and encouraged.
Brent Dix, Pastor



Trying to take time out for personal thought and reflection doesn’t always happen. When I get my Glimpses ezine ‘s a good time to do that. I sit and immediately travel to In Her Art, move to In Her Story then on to As the Church. Remembering how others work in the Body of Christ changes my day and my outlook.
Christina Kieffer, Visual Artist
 
Glimpses ezine provides a bridge between art and theology by showing
the impact the two have on my everyday life. Through personal
interviews, devotions, and the fine arts, Glimpses provides
extraordinary encouragement for my Christian walk. As a visual artist
it provides a source of information and inspiration. It’s a must read
every month.
Ryan Holmes, Digital Artist at Dallas Theological Seminary

Past issues have included interviews with David Taylor, Barbara Nicolosi, Andy Crouch, along with other artists, writers, and theologians, and art by Makoto Fujimura, L.L. Barkat, and others. Samples of past issues.

Creativity in the Sanctuary

Back to my thoughts on the Transforming Culture symposium…

I debated skipping one of the sessions put on by John Witvliet (mostly because I have no idea how to say his last name). After being called by Andy Crouch to be Beautifully Unuseful to God, after given guidance by Eugene Peterson as to what it means to Live Vocationally, John Witvliet brought us to the beginning of our journey. We’ve crossed the threshold, and, fittingly both historically and spiritually, we looked at art within the church (or public assembly).

I was going to skip this session because I felt like I didn’t have much to say about it. John Witvliet spoke deeply and thoughtfully about what it means to bring art into public worship, to use it liturgically. (His definition of liturgy: "the set of patterned expectations that emerge in communities and congregations of all kinds, styles, and denominations." In other words, if you have a general idea of what goes on at your Sunday morning service, you have a liturgy.) I felt that because I don’t feel called to primarily do art for public worship services (although I have in the past and look forward to hopefully again doing a drama ministry), this was not my area. It’s more the area of my friend, Amy, under whose graces I attended the conference, whose ear must still be recovering from my constant chatter to, at, and from the conference, and who (here’s the important part) is focusing on liturgical art at our Church. And let me tell you folks, I’m glad she is because not only is she talented, not only does she have great ideas, but she’s organized. Yes! Organization! I’d heard of it somewhere, but to see it in action. You should see it, really. (Secretly, bragging about her is my way of nudging her to start her own blog to share her brilliance with the world.) 

But back to me. Because this is my blog, and it’s about me. Wink

I’m not skipping his session (which I’m sure with your amazing analytical powers you’ve deduced from the fact that I’ve blabbered on this much about it). But I’m not really going to talk about what he talked about (to see more, you can go to Calvin Institute’s Worship page). I couldn’t come close to communicating what he did through music, video, and art. I’ll give you his main points and my thoughts (that’s what you’re paying for, folks).

Here’s why I decided not to skip it: the church is integral to the arts. Historically, the foundations of Western art are the church–Gregorian Chant, passion plays, triptychs. Globally, much of art is tied to religion–totem poles, religious songs and chants, headdress. Think of it: if the Church became the epi-center of art, where the greatest art in the world could be found and could be created, imagine how that would change the face of art. I’m not talking art with better morals. I’m talking better art. As beautiful as art is now, infused with the truth, love, and beauty of Christ, guided by His Body (i.e. the Church) could you imagine? No limits!

But I’m getting ahead of myself. I wanted to say a note about the beginning of my artistic journey being grounded in my spiritual life. I’ve discovered that my art directly relates to my spiritual formation. For example, my writing–yes, even (I’d venture to say moreso) my fiction writing–emmerged from my growth in seminary. Now, mind you, I don’t think everyone who is called to be an artist should attend seminary (although some are called to attend). What I’m saying is that if every artist seeks truth, and the most complete, whole, and harmonious truth is found in Jesus Christ, than the better I know Jesus Christ, the better I create art. This is why I’m passionate about spiritual formation–both because it draws me to the Creator, Sustainer, and Redeemer of all things beautiful, but also because the outpouring of His love in me becomes art. Art is my expression of Christ.

Already this is getting too long, and I haven’t begin to touch on John Witvliet’s topic of liturgical art. I’ve only said why I think liturgical art is important! Not only does liturgical art guide us in beautiful worship of God using all the God-given senses, but it guides us as we create outside the public assembly. Let me give you three points about liturgical art from his talk:

  1. "In an age of profound isolation and individualism, the liturgical artist has the joyful privilege of helping local congregations realize what it means to be the body of Christ: a corporate identity, crossing cultural, geographical, and chronological boundaries, in active communion with Christ." As an artist, it’s easy to hide inside myself. Liturgical art reminds me that it’s about God’s vision, and that vision is global and communal, therefore my art should reflect that.
  2. "Liturgical artworks promise to deepen a congregation’s participation in the profoundly relational and covenantal acts of public worship, provided that artists and congregations actively resist both the temptation to make artworks the end in themselves, and the temptation to soften the covenantal dimensions of worship into some sentimental substitute." Can I highlight "sentimental substitute"? Pay attention to that phrase, "sentimental substitute." There was a big emphasis at the conference about the dangers of sentimentality and a lot of amens from the attendees! The Church, rather than falling into some feel-good sentimentality, has more power than anyone else in the world to resist it, because we know the truth of the cross, which is the epitome of pain and healing.
  3. "Liturgical artworks offer remarkable opportunities to perceive the glory and beauty of the triune God. This stunning claim means that ‘resisting idolatry’ is one of the leading callings for every aspiring liturgical artist. Every one of us needs to wake up every morning eager to name which idol of imagination we are eager to resist and which aspects of divine beauty we are eager to highlight (and adore!)."

For someone who thought she didn’t have much to say, she sure did talk enough! Shutting up now…

Ruth Crawford Seeger

In honor of Women’s History Month, for this series of women in ministry and ministering to women (which is broader than women’s ministry), I’m titling each one with important women in history.

Because of my music background, I’m prophesying that most will be musicians. But who knows?

Ruth Crawford Seeger was a composer in the twenties and thirties. She wrote atonal music influenced by composers Alexander Scriabin and Charles Seeger (who became her husband) and folk music. RCS was the first woman to receive the Guggenheim Fellowship.

Back to our discussion about ministering to women, although we have yet to talk about women specifically, and I have a feeling we won’t get to that until tomorrow. Yesterday, I brought up the issue of the purpose of the church, and, more specifically, your local church because any ministry to women should fit within that. I believe, as you can see in the Transforming Culture supercategory above, that the church’s function (within the purpose of glorifying God and showing His love to the world) is to transform culture spiritually and physically. (This includes areas such as social justice, arts, and science.) I believe that evangelism is bringing people into meaningful relationship with God, and this relationship affects the spiritual and physical realms. The church, then, functions to transform believers and, with these transformed believers, actively participate in the world (you can see my fire and coal illustration in the Transforming Culture category). Let me point out that I don’t think this is a two-step process. I don’t think you first transform believers and then you participate in the world. I think these two things go hand in hand. Jesus didn’t remove his disciples from the world to train them and then take them out. He trained them as he went out. In fact, the training was in the going out and in the conversations that his actions spurred. In the same way, I believe the church goes out and ministers/heals/feeds/preaches/touches and in the process also has conversations through Scripture about why and how and who and all that jazz.

Side notes: (1) this being a blog and me being an external processor, I’m working through these things. I have been for years and years. In fact, I wonder–do you ever get to a point where you’re not working through these things? So, please, point out my weaknesses, tell me your processes and workings out so that we can do this together. (2) Later we’ll address the specific role of Bible study and meditation, but at this point, since I don’t specifically mention it much in the above, I do want to say that I believe the Bible to be the most significant shaper of our story as it is a witness to God’s overarching story in which we fit. I also believe that all this is done through the power and guidance of the Holy Spirit. (3) Transforming culture is God’s kingdom work in which we get to participate. In other words, while we are passionate about it, we don’t have to stress. He’s in control. (4) These beliefs influence the Bible studies I write. For example, in the study on Abraham and Sarah, we look at God’s call on, work in, and work through Abraham and Sarah. At the same time, we "storyboard" (what I termed the section that reflects on the reader’s life) our lives (God’s call on, work in, and work through us). Also, because I’m an artist (specifically musician and writer), the arts are an important influencer in how I think about, process through, and reflect God’s work in and through me, so one day a week is reserved for worshipping God through whatever artistic medium you choose. This, I think, helps some people (i.e. people like me) work through things and participate in that sector of life. Finally, while we dwell on what God has called us to, we’re doing it. Part of the commitment in these studies is your social justice project (what I call your Special World, following Campbell and Vogler’s terminology) done as a group and optimally through partnerships with your local church because this is how God works in and through us. Why stop at talking about it? Part of the learning process is in joining God’s kingdom work. By the way, these Bible studies are not written exclusively for women, but we’ll get to that later. I say this to give you an example of how your philosophy and theology about the church (i.e. ecclesiology).

As I predicted, we have yet to talk about ministry to women specifically. Some issues still to be covered in re-evaluating women’s ministry: why do we do this (this specifically in light of our belief about the purpose and function of church and of your local church)? Why do we have it? Why do we need it? Should we try to attract women to women’s ministry? What do personality differences and learning styles have to do with how and what we do? Do Bible studies and spiritual formation need to be different for different genders? What kinds of outreach ministry can women uniquely do?

I will say that these answers will be different for different cultures and sub-cultures. A healthy tension exists between the church ministering within culture (and sub-cultures) and seeking to bring cultures and sub-cultures together. When I say together, I do not mean make them the same. I mean that we can worship together, rejoice together, participate together, all the while celebrating the differences that serve to reveal different aspects of God.

I also want to point out that as we address ministry to women specifically, these answers will be influenced by your definition of feminity. I interacted with this on the three-part series I did on Becoming an Imaginative, Female Theologian Who Loves the Arts (part one, part two, and part three). 

Let me end with one last point I’ve been thinking about lately: how our culture affects this. In our transformation of culture, I don’t believe our goal should be to go back to some "Golden Era." (For the record, I don’t think a Golden Era ever existed.) One of the things that I think the church is not doing well is modeling a healthy mixed-gender leadership for those in leadership in their worlds. In the working world, women are CEOs, managers, project leaders. They have men and women answering to them. They answer to men and women. We teach men how to lead biblically, but do we teach women?

Now that I’ve brought up a potentially explosive subject, I leave you to your interactions. In a couple days from now, we’ll look at epistemology (how we learn/know things) and femininity. This will affect our thoughts on Bible study and spiritual formation. Other thoughts to discuss in the future (many, many days from now): women in leadership (addressing the issue I raised in the end) and outreach.

Oy vey. 

Speaking

Incarnating Christ’s Love in Art and Life

 

 

 

 

In Your Story

God calls all believers to a heroic adventure. Some of us are reluctant, some flawed, some inexperienced. God desires to work in and through us. Topics include studies on biblical stories and characters and how we respond to the call in our story.

In Beauty


Created in the image of God, we have the capacity to create. Art can be used to reflect our Creator and our relationship with Him. Topics look at how art and theology intersect and how we can use art to incarnate Christ’s truth.

As the Church


As the Body of Christ, the Church represents Jesus on earth and continues his work. Topics include the purpose of the Church in the world and the purpose of the church in your neighborhood.

 

 

"She is gifted. God will use her. She made me understand again God’s loving purpose in discipline."

Dr. Timothy Warren, Professor of Pastoral Ministries, Dallas Theological Seminary

"Heather Goodman loves the Lord with all her heart, and this shows beautifully in her teaching. Her whimsical spirit refreshes her listeners and captures their hearts. She has a passion to encourage all people to let Christ live and love through them. Her artistic side inspires imagination and brings to life the love of God in a new way. Heather is also doctrinally sound, and I enjoyed learning from her."

Judith Graham, Women’s Director, Frisco Bible Church

See a list of my topics.

Listening sample: Listen to my talk, "On Christmas Trees: Turning the Profane into the Sacred." 

Watch my small group leadership training video series.

Watch my speaking podcasts.

For more information, email me.

Sometimes Misfits Belong

In September 2006, I introduced the concept about being a misfit. I told you that Rudolph was one of my favorite Christmas shows because I could relate.
I’m a misfit.
A
dentist elf, a toy bird who swims instead of flies, a prospector
searching for a peppermint mine, a reindeer with a shiny, red nose.
Why don’t I fit it in?
This past Sunday night, we watched Rudolph the Red-Nosed Reindeer again. The old sympathies arose for Rudolph and Hermey, who, "even among misfits you’re a misfit!" (another truism for me!)
But
I caught something else. In the end, after the Abomidable has been
conquered and Rudolph’s family saved, after Santa asks, "Rudolph, with
your nose so bright, won’t you guide my sleigh tonight?" there’s
another line I’d missed before.
"Sometimes even misfits belong."
Because I belong now.
I
like what’s said in that statement: you may still be a misfit, a
dentist elf, a reindeer with a shiny nose, a Charlie-in-the-Box, but
you can belong too.
Back in April, Chris and I started visiting this
church. It’s an Anglican church. Chris and I both came from years of
Bible church communities, so why an Anglican church?
We visited because good friends of ours go there.
We kept visiting because we liked what we saw.
We
liked the evangelical theology and the liturgy with the weekly emphasis
on the Eucharist and the focus on serving both the community and the
world.
In September, we became members. I cried. I cried because for
the first time in a long time I could say, "I love my church." I cried
because I belonged.
I have friends here. I’m involved here–I
started a book club and I’ll be teaching a Bible study in the spring
and I’ll be serving a local community orphanage with my church. On
Sunday mornings, I want to get up and go to church. I can’t wait to
worship God, to see friends.
I’m sharing this because it’s come full circle. This blog is not just about my struggles. It’s about my joys.
And sometimes even misfits belong.