Good Morning, Baltimore

I pull out my handy-dandy Nancy Drew notepad that goes everywhere with
me and flip to some notes from my Chicago trip. I pass through the name
of the porta potty company in South Shore Station that would make for a
good title of a new mom book (Oui Oui Enterprises), through notes on
the man snoring beside me in the Metra station and the butterfly that
got trapped in the bench area with me, through a dazzling first line
and brilliant character sketch, and I get to this: why I write.
Sometimes when the words don’t come and the rejections do, I remind
myself.
I write because when I meet Mr. Windsor, the retired
professor from Czech Republic with the wandering eye, Einsteinian hair,
and reading glasses, which sometimes hang from his mouth and sometimes
dangle on his chest from a rope, people need to know that he hops up in
a moment’s notice to help a kid with math problems or play Sorry or
take you for a ride in his blue classic Mustang convertible. I write to
introduce you to Marnie when she shows up on my doorstep with luggage
held together with duct tape and three kids, one of whom makes no
decision apart from Magic Eight Ball. I write because Itzel needs us to
be there when she encounters her abusive father and faces the Mayan
prejudices and sets out to save the world, or at least San Tomás.
I write because I read.
I write because I love the wooden smell of paper and the click-clack sound of keys.
I write because I want to learn.
I write because I want to communicate.
I write because I want someone to understand (although I don’t want anyone to see through me).
I
write because although I love my life here on the Island of Misfit
Toys, I know there is a Charlie-in-a-Box and a crying doll and a polka
dot elephant who want to feel the love of a child with wrapped-around
arms.
I write because I dance.
I write because I love.
I write because I sing and love music and rhythm.
I write to belong.
So tell me, why do you write?

(Note: I realize that the title has nothing to do with the post, but I saw Hairspray
this week – although I missed the sing along showing unfortunately -
and the songs are running through my head. In fact, I’ve never been to
Baltimore.)

That Toddling Town

Chicago, Chicago, my hometown.

Okay, so it’s not, but it should be. Next to Philly and Prague and Barcelona, my favorite city with brown papered packages tied up with string. I saw the greatest fireworks of my life off the Navy Pier that lit up the sky like high noon shootout. I ate pizza with more cheese than Monty Python. And hot dogs with a salad on top (it’s healthy, you know). I lunched in Chinatown and Greektown, where they speak Chinese and Greek respectively (and respectably). I got dizzy looking up at the Sear’s Tower. I marched (more like ran) on Michigan street with thousands of others trying to catch our train after the aforementioned fireworks. I chatted and chatted and chatted some more with my best friend. I sang Broadway tunes on the Metra for an hour and a half, half-entertaining, half-scaring the other patrons.

And speaking of Broadway…

I saw Wicked! And loved it (Jennifer, this bud’s for you…)

Musically, I have to admit it wasn’t exactly innovative or all that creative. It stuck to the standard Broadway sound as defined by Andrew Lloyd Webber.

That being said, I can’t help but lovin’ my musical. The creative part was the book, and that was ubercreative. I cried, yes, and I laughed heartily out loud. I loved the development of Elphaba’s character and the change in Glinda’s. It was very postmodern in its look at a story from a different perspective. I loved the examination of wickedness: some people are born wicked, others have wicked thrust upon them. And the digging into motivations with truth being found in unlikely places and veiled by seemingly good sources. So much to dig into, but alas, I haven’t the time. Just know that I recommend it, and that I’m going to go back and read Gregory Maguire’s other books, such as The Ugly Stepsister and Son of a Witch.

And I can’t forget the Art Institute where I got to see one of my favorite paintings, Chagall’s White Crucifixion as well as other greats. Unfortunately, the area with Rembrandt was closed. (Too bad, because my teeth could use the whitening.)

I lost the blues in Chicago. That toddling town.

Screech! The Presses Have Officially Halted!

I can’t contain myself in my excitement. I just may very well pee myself. And because my husband, as darling as he is, was not properly ecstatic about the news, I had to come share it with you all.
Tim Burton is directing a film version of Sweeney Todd. Yes, that’s right, folks, the musical by Stephen Sondheim. I happen to love Sondheim, and Sweeney Todd was my first exposure to him, so I have a special place in my hard for the murderous butcher. In fact, I can’t hear the word "thicker" without singing "more like vicar." I did one paper on Sondheim and another paper on Sweeney Todd in college (I loved being a music major!), so I’m ready! To top it all off (I may have to jump around the room a bit), it will star Johnny Depp, my favorite actor. I think I’m going to cry. Johnny Depp, under the direction of Tim Burton, will be going around singing about murders to the lyrics and music of Stephen Sondheim. Can you see why I’m excited? I realize that this news it a bit old hat, but since I’m not so good about keeping up with the latest Hollywood releases, this is as good as it gets. Alas, it looks like I have to wait until January to see it. That’s a whole lotta crossed legs.
Attend the tale of Sweeney Todd.
He served a dark and a vengeful god.
What happened then, well that’s the play,
And he wouldn’t want us to give it away.
Not Sweeney,
Not Sweeney Todd, The demon barber of Fleet Street.