This is My Body, broken for you.
This is My Blood, spilled for you.
You walk back to your seat and kneel first for a bit. In the loft above, the pianist and organist play. A voice joins in.
Down the Via Dolorosa in Jerusalem that day.
The priests, deacons, and chalice-bearers have changed into their black robes. They strip the communion table, the elements, the cross, the candle.
It is finished.
You close your eyes and see a ballerina. She wears a black leotard with a long, flowing white skirt. Her toes point, and she dances, her pale arms reaching, her leg stretching. A tear slips down your cheek. Still she dances.
Down the Via Dolorosa called the way of suffering.
After the song, the priest reads Psalm 22.
My strength drains away like water; all my bones are dislocated; my heart is like wax; it melts away inside me.
The choir sings How Great Thou Art, then in silence you leave. The only sounds are the click-clack of heels on the pavement. Cars start and pull away, their wheels crunching on the gravel.
Still, you don’t talk.
You turn on your car, and the music starts. Jamie Cullum. It feels wrong, this sound, but you don’t turn it off.
In your car on your way home, it occurs to you where Jesus was headed 2000 years ago tonight. You don’t mind that the light is red.
Eventually your toe begins to tap. You remember that you have to work on a project for work, and you think, only three more days until Easter. Three more days until you can have ice cream again.
You wonder which flavor to buy first.
But that isn’t until Sunday. It’s Thursday, and there’s still Good Friday.
This is the Dark Night of the Soul.





