The Existential World of Chess

I am learning how to play chess.

I’ve never learned before. Okay, that’s a lie. I learned in elementary school and even played a game or two back in the day–the day, meaning when I wasn’t choreographing dance moves to New Kids on the Block or Debbie Gibson and filming the dance in front of a live studio audience made up of my stuffed animals. I didn’t like chess back in elementary school. I wasn’t exactly what you would call a strategic thinker (maybe you got that from the choreographing antics).

I haven’t touched the board since the sixth grade. Except to dust it. (We have this really cool one my husband got in Africa.) To be honest, I don’t really want to learn now, what with learning how to be a mother and all. I think there’s enough learning going on.

But the story demands it. I can’t fake it.

So I checked out a couple of books from the library. (When my husband saw them, he mentioned that he already has some books on the subject and would be happy to teach me how to play. My husband is an excellent teacher when it comes to things like these, but I don’t want him to realize how stupid I am, so I’m reading about how to play first.)

The book I’m currently making my way through (slowly–see above comment about learning how to be a mother; see also numerous tweets about having a boy who doesn’t believe in naps) is Let’s Play Chess: A Step-by-Step Guide for New Players by Bruce Pandolfini.

When the man says “step-by-step…for new players,” he wasn’t joking. With some detail, he explains the chessboard, the difference between a board and pieces, between White and Black players (meaning, according to the lighter and darker squares on the board, not according to ethnicity), between a piece and a pawn. He describes what a move is and informs us that you can’t capture your own forces (no friendly fire here!). He defines legal and illegal moves: “A legal move abides by the rules of the game: it can be played. An illegal move violates the rules of the game: it can’t be played.”

Thank you, Captain Obvious.

He also gives us handy mantras and mnemonic devices, like “light on right” (to remember the starting position of the board for naming the horizontal ranks and the vertical files) and “queen on the square of her own color.”

Here’s the interesting thing: chess raises existential questions, like the fact that you can’t move a unit in two different directions on the same turn (except for the knight), or that while the rest of the pieces retain their original queenside or kingside designations throughout the game, no matter which side they have now moved to, the pawn is renamed every time it moves. Identity crisis? Chameleon?

Perhaps there’s a story to the game itself, to how the pieces move, to how they exist in time and space. Maybe this will be my saving grace as I attempt to relearn this difficult enterprise.

Or, perhaps, I’m doomed, for according to Bruce, “If you can’t ‘see ahead’ it’s hard to play chess with logic and purpose.” I’m more of a live-in-the-moment sort of girl.

Generate Magazine

Time for another happy dance (pause for jig Balki style). A cyber friend (and Jersey resident–three cheers for Jersey, land that I love), Thomas Turner, is involved with a new journal, Generate Magazine.

"GENERATE exists as a forum to retell the stories of the grassroots communities and individuals who are finding emerging and alternative means to follow God in the Way of Jesus . . . We/you are the conversation; our art, our lives, our hopes and failures all meet up with God’s approaching dreams for creation."

Three reasons to be excited about Generate:

  1. They incorporate art and theology to tell the story of our lives, not to illustrate them.
  2. Their website quotes one of my favorite C.S. Lewis quotes: "We read to know we are not alone." (When I read that quote, I thought, I’m not alone in thinking that! And, in fact, this is why I write. So that others may know they’re not alone.)
  3. And, drumroll please, their inaugural issue (which ships Oct. 1) contains a piece by yours truly.

What? you say. You’re not emergent.

True dat. I belong to an Anglican Church that is not emergent.

However.

I find much of the emergent conversation to be good and healthy not only for the group of people who consider themselves emergent but for non-emergent churches. Think of it this way: The Reformation spurred the Counter-Reformation in the Roman Catholic Church. I agree with many of their points, including a return to a Story/literary approach to the Bible (although, yes, many non-emergents had been doing this before emergent emerged), their emphasis on creation care as part of our God-given human responsibility, and their embracing of the arts as one means of being fully human. 

Nothing is new under the sun. I don’t think the emergents came up with something we’d never seen before (in fact, many emergents remind us of our historical roots), but this group of people observed that certain things had been missing from a great number of American churches (not all, mind you–in fact, I know of a great number of churches who had been incorporating many of the "emergent elements," if you will, before emergent emerged).

This does not mean I agree with all emergent churches. (Let me be blunt here and say that I disagree with numerous points in the Acts 29 movement.) But "emergent" is not a denomination with a doctrinal statement. It is a movement, a conversation. And Generate exists to document that conversation.*

All this to say, this is why I submitted to Generate Magazine and why I’m honored to be included in their inaugural issue (which ships out Oct. 1–go here to subscribe).

*I wonder if they suspect what I do, namely that "emergent" is not necessarily something that will last. It acts as a catalyst for change, but just as we moved out of the Reformation into churches that embodied principles from the Reformation, I suspect we’ll move out of the emergent conversation and embody principles we learned in our churches. The Reformation came at a cultural shift as does the emergent conversation now. Perhaps that’s why it’s important to document this process.

(Side note: I do not think our churches need the same type or caliber of reformation as the Church at the time of the Reformation, although, let’s be honest, aren’t we all frustrated with the shallow, consumer approach to Christianity?)

The Elves in My Keyboard: A Short Story

About a year or two ago, the keys in my keyboard were going out. First this key, then another wouldn’t work, no matter how many times or how hard I tapped it. So I wrote this in response.

I was reminded of it today because ants crawl in and out of my keys as I work.

Enjoy!

Half a dozen keys on my keyboard don’t work. Story to come later. 

I hit send to email that tidbit to my editor, who will be none too happy. Life as a starving journalist presents its obstacles, like a deteriorating keyboard and no money for a new laptop. The control key (my shortcut to cut, copy, paste, save), most of the numbers, the hyphen (for which I mourn), and the plus/equals key (I’ve only needed it once since I’ve discovered the mishap).s When writing on a deadline with little time to edit, this could mean the death of my career. Random s’s and x’s and c’s show up on my manuscript, evidence of my attempts to save or cut or so on.

My editor emails back to setup an appointment with the IT guys. I’d love to, but there’s nothing they can do when the keyboard malfunctions because of the elves.

My beat focuses on the quirky human stories of our small town. Weeks upon weeks can go by without anything quirky or mildly interesting. Then, I’ll hit upon a week overflowing in a plethora of weirdness.

x

This week, my first lead was a woman who won the state lottery by choosing numbers according to a Magic Eight Ball. She’d go through each number for each slot and stop only when she got a “Definite” answer. It’s difficult to write about lottery numbers when the elves have taken out your numbers.

The second lead came from a callin. The man said his onehundredandfouryearold grandfather had premonitions about Pearl Harbor on December sixth and about Vietnam in nineteenhundredandfortysix. Too many dates. I don’t know why it took so long for this clincher of a story to show up in our town.s

My last story idea centered on numerology and how a math professor used number theory to create the perfect cup of coffee. Said professor gave me full permission to print the equation. No numbers. No plus or minus or equals key.

I thought about using the “InsertSymbol” function. Started a story or two with it. But I grew irritated with the tedium. Drat those elves.

When the elves first came, it began mildly enough. My screen would convulse like it was seizing, flashing black lines and miniature versions of what had been on my screen over and over again. I panicked, hitting every key available, finally holding down the power button until my computer obeyed. It would reboot and all would be fine.

But things got worse. The power button revolted, either taking the side of the elves, caving to their threat or, sadly, under their control. The only thing to do would be to unplug the computer and wait for the battery to wear down. I hated sapping its life like that, but it was for its own good, and it hurt me more than it hurt the computer.

Soon after, the blue screen of death would appear periodically.

And now this

Te elves look like ants, but I know tem for wat tey really are, evil messengers from my greagrandfaer wo prediced e downfall of civilizaion wen gore invened e inerne

I ink my greangrandfaer wans is naion o fall because e also said wed lose wwii, but maybe e was affected by e army denying is enlismen due o is missing rig arm
e elves disguised as ants walk off with my keys, one a ime, my apostrophe and period and now leerss ntil i ave noing lef bt a few of my kys

n vwls

I’ve lost all keys now, and am using the Insert Symbol function to say good bye and good luck.

Signing off,
Heather Goodman

Psst–If you find this post interesting and think others might as well, would you mind taking a minute to stumble it? It would mean a lot to me.

Where's Waldo?

Find out where I’ll be hiding next.

Blog Nosh: The Mailbox

My flash fiction piece, "The Mailbox" (inspired by one of Tina’s contests) is featured today over at Blog Nosh! I had a great time writing this piece (my foray into speculative fiction).

Featured on Blog Nosh Magazine

A word about Blog Nosh: I’d been the fiction and poetry channel editor. It was great fun, though it was for only a short time. With the turn of events in our lives, I had to pull out of that particular job. I’m hoping at some point, once life is more settled, I can get back into it. I highly recommend the site for a collection of great posts. Have fun blog noshing!

The Mailbox

She pops the red flag up, glancing over her shoulder as she does. They all do. She looks at the sky and presses the palms of her hands to her eyes.

It’s Jack I feel bad for. A postal worker in life, he didn’t know he’d be required to continue his courier services by death.

When she’s gone, I collect the letters, one from her to "Mrs. Virginia Anders" and two others. Mrs. Anders is her mom. Or is it was? I’m never sure on these things. I know this because this is her third letter to leave. The first was tentative. "I miss you and love you." You could tell she didn’t know where this was going. The second letter was needier. "I could use you this week! What do I tell him?"

I steam the envelope to her third letter and carefully peel open the flap. She’s angry, oh so angry! "How could you leave me!" she says. In spots, the writing smudges. The color of the ink distends into this circles with ragged edges. The paper’s wrinkled.

Then I do something I’ve never done with any of the letters. I add a note at the bottom. "Mrs. Anders," I write. "Please don’t worry. I’ll take care of her." I refold the letter, return it to the envelope, and glue the flap shut again. Then I take it and the rest of the letters in a metal bowl to John’s gravesite. I light a match and watch them burn like I have for two years now. It’s not in my job description.

The letter in my pocket crinkles when I lie on my back. I pick out a few constellations and wonder about the families of Orion and Gemini. I ask them, Is this right? Will the gods punish me for this? But it doesn’t matter if they do or don’t, so I take the letter and slip it in the mailbox.

It’s almost a week before she comes back. She rifles through the other letters in the mailbox. They all do. No one expects anything, but they hope. You can tell. I know when she sees my letter. Everything in her body halts like she was hit by a sting ray gun. She looks around, but no one else is in this section of the cemetery right now, and pulls the letter out, pocketing it almost before I can see she has it. She starts to put in her letter, but stops. Instead, she leaves with it.

Later that afternoon, she comes to me. I’m in the backhoe, digging another gravesite. My stomach does some sort of basketball play, running every which way. Her facial expression could mean anything. I jump out of the tractor and wipe my hands.

"Yes," she whispers. I can barely hear her, but I know that’s what she says because the next instant, she’s in my arms.

This little diddy was jotted down as part of a writing contest put on by my blogging friend, Tina at Spaghetti Pie. She snapped the picture at a cemetary. This is what came to mind when I saw it.

Writing

Download audio versions of four of my short stories for free from NoiseTrade:

 

 

Learn more about the stories I chose or how NoiseTrade works.

Where you can find samples of my work:

Fiction

"Ash Wednesday" in Ruminate Magazine

"The Audition" in Relief Journal

"Dies Irae" in Generate Magazine

"Matt and Marnie Sittin’ in the Tree Or Something Like That" in Infuze Magazine

"Mumbai Baby" in Mused Literary Review

Short Films/Plays

"The Office Pharisee" for Christ Church Plano

"Mumbai Baby" for DVX Film Fest 2009: Loss

"The Adventures of Don and Cho" for DVX Film Fest 2009: Quest

Nonfiction

"Art in the Time of Holocaust" in The Curator Magazine

"A Literary Analysis on the Book of Ruth" at bible.org

"Israel: Understanding the Setting of the Bible" at bible.org

"The Cause of the Orphan" in Kindred Spirit online

"My Scarlet Letter" in Three One Six: A Journal of Christian Thinking

"Spiritual Disciplines: Practicing Daily Scales" in Just Between Us

"’Tis the Season" in Fwd Magazine

In The High Calling: 

"God’s Secret to Contentment at Work"

"Tuning Your Ear to God’s Perfect Pitch"

"Working with Kryptonite"

"On Earth as It Is in Heaven"

"Of Loaves and Fish"

In The Small Group Exchange by BluefishTV

"Getting Beyond Curriculum–Using Art and Pop Culture in Your Small Group" 

"It Was the Best of Times; It Was the Worst of Times: The Art of Storytelling" 

I also blog regularly at The Master’s Artist.

Awards

Finalist, Spring 2007 Glimmer Train New Writer’s Award

Winner, Genesis 2008 (Women’s Fiction) sponsored by ACFW

I've been workin' on the railroad

I’ve been workin’ on the railroad,
All the live-long day.

Bernie’s alarm clock buzzes at 6:15 and again at 6:22 and again at 6:29 before he pushes his toe out of the duvet. His leg follows his toe and so on until his feet his the carpet and his torso pulls upright. The scent of coffee maneuvers its way through the studio apartment from Bernie’s automatic coffee maker.
That helps.
Can he just sleep in? Skip one day? Not the first day, he guesses.
The hot water beats on his chest. He peeks his head around the shower curtain, lifts his coffee cup to his lips, and takes a sip.
A little more awake.
Starched and pressed and out the door. Rain. Bernie ducks back inside. Let’s try this again.
Starched and pressed and out the door with an umbrella held close over his head. Now Bernie knows why movies always make it rain on funerals and break-up scenes. And the first day of work, Bernie would like to add.
He begins his trek to the subway, the hem of his pants catching drops. A bus swoops by, spilling a puddle on Bernie’s lap and belt.
Of course.
All the live-long day.
All the seats on the subway are filled, so Bernie grabs a strap between a construction worker and an overly perfumed business suit. Bernie’s allergic to perfume. He tries to sneeze away from the gap in her shirt, a shirt that can’t hold its top buttons, but hey, they’re there. In his face.
A few more blocks after Bernie disembarks from the sardine can, and Bernie swivels through the rotating glass doors of a massive building. His new office building.
He’s alone on the elevator. Thankfully. Just a few minutes to collect himself. The elevator stops at every floor. Every empty floor. Must be a glich in it’s internal computer, or something, Bernie thinks.
The 56th floor. His new floor. Bernie checks his watch. 8:00 a.m. He worries that all the clocks in his life are skewed because not a soul stands on that floor. No phones ring. No coffee brews. Bernie shrugs his shoulders and finds his way to his cubicle. Thankfully he stopped by Friday to get situated, so he knows where his cubicle his.
The computer sings her familiar jingle when he presses the power button. He supposes he’ll just juggle through the programs and set up his Outlook while he waits for the rest of the office to come in.
Where is everyone?
Bernie can’t help but smile at the old commercial. They went to Arby’s.
He double-clicks on the Outlook icon, and when it opens, he sees the date for the first time that day. Monday, September 4th.
Labor day.
Dinah, won’t you blow your horn?

A Short Story

Chad stepped onto the Metro and folded up his map. Every seat was occupied, so he grabbed a strap. The sent of body odor mixed with perfume. Chad learned not to crinkle his nose at this combination. The woman sitting across from Chad raised her arm to hold the bar. Tufts of hair escaped the sleeveless shirt at her armpit. A woman in a business suit delicately crossed her pantyhosed legs under her skirt in the next seat. The arm-hair woman probably came from one of the first stops, where some suburban homes kept donkeys and chickens in their backyards. Maybe she took the train from a small town outside of Prague. Dickens would have a field day with this earthy peasant and business city girl side by side.
“Prištne štanize, I.P. Pavlova,” the woman’s voice announced over the speakers in Czech. Chad looked at the map over the doors and counted how many stops until Muzeum, his stop. He knew the number by heart. An older man with a cane read in the seat next to him and a woman cooed a baby next to the old man. Chad leaned on his back leg as the Metro stopped. The brakes screeched, and people pored in and out, playing musical chairs. The Metro started again, and the woman made her announcement. Next stop. Chad prepared early to disembark.
“Muzeum,” the woman announced, and the Metro stopped, and the doors slid open. As Chad stepped over the gap, a man in a leather jacket brushed against him running with a baby in his arms. The woman sitting next to the old man screamed and ran after him, tripping over her bag. She crossed the door just as it began to close. The woman yelled a slew of Czech words, none of which Chad understood. But he understood panic and chased the man with the leather jacket and the baby. The crowd moved aside like a vaudeville line, pointing and murmuring. The man looked back as he reached the steps. Chad panted only two steps behind him. The man threw the baby high in the air to make his getaway and scuttled up the stairs.
Chad stretched his arms out. The baby bounced against his biceps, and he closed his forearms tightly. The mother bumped hard behind him. He laid the baby in her arms. Tears streamed down mother’s and baby’s faces.
“Thank you,” she cried, half bowing. “Thank you. Thank you.” She kissed her baby and sang softly, touching the baby’s face, then hugging the baby close. Mother and baby walked away safely and waited for the next Metro.
Chad watched her until she stepped onto the train, then walked up the stairs.
Wondering down Václavské náměstí, Chad observed the nationality of the tourists. After two weeks in Prague, he was beginning to understand why the Czechs easily picked him out as American. He chuckled and made his way to the Cream ‘N’ Dream ice cream shop this side of Charles Bridge. Trying to choose flavors, the woman and her baby and the man in the leather jacket melted away.
“Mint chocolate chip, please,” he said, thankful that most Czechs spoke fluent English. His hand pushed into his back pocket for his wallet, but his wallet was not there.