"Important Blogger–That's an Oxymoron."

One of the threads that weaves through Douglas Coupland’s apocalyptic novel concerns blogging. (Yes, Generation A is apocalpytic in that it portrays the end of the world as we know it–and, thanks to a Prozac-like drug, we feel fine.)

Each of the main characters in Coupland’s story tells his/her own stories. One character tells a story of a young man who has lost the story of his life. The implication is clear: springing from our obsession with fame, we all look for the story of our lives. Unfortunately, with nothing real left in life, we can’t find one. We use our extreme sports and death-defying feats in attempts to bring fame-worthy excitement into our lives.

In the story of the young man who has lost his story, the following exchange occurs between a woman at the Learning Annex, where this young man has gone for lessons in something interesting (bungee jumping, Tae Bo), and the young man (it begins with Craig, our young man in question):

"I thought maybe Tae Bo would loan my life a unique narrative edge."

The woman–whose name was Bev–said, "Craig, the hardest things in the world are being unique and having your life be a story. In the old days, it was much easier, but our modern fame-driven culture, with its real-time 24-7 marinade of electronic information, demands a lot from modern citizens, and poses great obstacles to narrative. Truly modern citizens are both charismatic and [sic] can only respond to other people with charisma. To survive, people need to become self-branding charisma robots . . . So, in a nutshell, given the current media composition of the world, you’re pretty much doomed to being uninteresting and storyless."

"But I can blog my life! I could turn it into a story that way!"

"Blogs? Sorry, but all those blogs and vlogs or whatever’s out there–they just make being unique harder. The more truths you spill out, the more generic you become."

(I’d give you a page number, but Kindle doesn’t list page numbers.)

To add to this evidence, I read an article in The New Yorker the other day about media, specifically in regards to Obama. This article also pointed out the (negative) consequences to this 24-7 media marinade, which disallows journalists from getting any real story. Several times, especially when quoting Obama communications administration, they referred to the narrative Obama wanted to communicate, or the narrative of Americans. Have we become so self-aware of our own story that we can no longer let it unfold naturally? What are the implications of this?

(Side note: These past weeks, we all watched the events in Haiti, blogging, twittering, perhaps watching a rescue on TV. I’m happy to see our concern for another nation, but I wonder how much is true concern and how much is it safe concern? If our sympathies are real, why not spend time on a weekly basis in homeless shelters, orphanages, and nursing homes, entering into their suffering?)

While these Neil Postman-esque prophesies unfurl around us, I don’t believe this means we abandon blogs (obviously, or I’d be using this post to say Goodnight, Gracie). Ruth Haley Barton warns us against accepting technologies without evaluation. This doesn’t mean we all don Amish garb. It means we better know how things affect us–our Christianity, our communities, our families, our work, our play. We can’t all become Wendell Berrys. Because of blogging, I’ve found other writers, knitters, gardeners, poets, and photographers (as well as a slew of other artists) who have encouraged me in these endeavors. I’ve discovered friends who have encouraged my spirituality. If I consider creativity and spirituality (not entirely different entities, by the way) to be essential to humanity, than blogging has shaped me in positive ways.

But I also have been obsessed with finding my own niche, my own small pond in which to be famous. I’ve asked, how can I be unique in this space? What is my brand?

I suppose we approach this as we do everything: with mixed motives. I am neither purely good nor entirely corrupt. I am saint and sinner. Coupland’s comments and The New Yorker‘s article remind me to always pay attention to the whats, whys, hows, and consequences, to not do things willy-nilly just because I want to. And that’s a good thing.

Thoughts? Reactions? Poison?

Print between the lines: Title quote from Bones (Sealy Booth)


Ordinary Days

Kirsten wrote about the beauty of ordinary life. This is something I’ve been thinking a lot about lately. In any story, the resolve we seek is not the high emotions of the climax. It is the (sometimes assumed) ordinary days. In them lies the happily-ever-after.

In the liturgical calendar, we have two periods of ordinary days. The first follows Epiphany, and the second period occurs after Pentecost. After the high emotions of Advent, Christmas, and Epiphany, after the extreme sorrow and celebration of Lent, Passion Week, Easter, and, finally, Pentecost, we have ordinary days. In these days, we live most of our Christmas life. 

Paul tells us to rejoice in everything and to be content. This joy and contentment occurs in our beautiful ordinary, as Kirsten calls it.

Here’s why I’ve been noodling on this lately: world-wide, nationally, and personally, uncertainties threaten our joy and contentment. My response–escape. I want to sail away (I’ll give you a moment to finish the Styx chorus). I want to bury my toes in the sand of a white beach and my thoughts in a book.

But we can’t live in the escape. We live in between the anticipation and hope of our Savior’s return and the joys of our ordinary lives. To the rhythm of our rosary beads click-clacking between our fingers, we run errands and wash dishes and change sheets. We care for the widow and orphan. We dance to a favorite song. We sip our wine and chew our bread. We work, bringing good to the earth through our businesses. These are the sacraments of our ordinary days, bringing grace and beauty in ordinary elements.

Tapestry: I Love a Good Myth

I’m up today at the Tapestry blog: I Love a Good Myth about how we read our Bible.

An excerpt: "The Bible is a story, or a collection of stories, that define a
people, that give the people identity."

The Story of Your Life, Part Eight

It happened one night, it was a dark and stormy night, it was the best
of times, it was the worst of times. No matter how it begins, everyone
has a story to live. This series looks at the story of the Christian
life. Part Eight looks at the Reward earned after the Ordeal–when you’ve finally found what you’ve been looking for.

(You know a girl’s gotta quote U2.)

Part Eight runs five and a half minutes.



The Story of Your Life, Part Seven

It happened one night, it was a dark and stormy night, it was the best
of times, it was the worst of times. No matter how it begins, everyone
has a story to live. This series looks at the story of the Christian
life. Part Seven looks at The Ordeal, the part of the story where the
hero is cornered. It’s the death scene.

The video is four and a half minutes.



The Story of Your Life, Part Six

It happened one night, it was a dark and stormy night, it was the best
of times, it was the worst of times. No matter how it begins, everyone
has a story to live. This series looks at the story of the Christian
life. Part Six talks about our allies and enemies and how we are to react to them as Christians.

 



The Story of Your Life, Part Five

It happened one night, it was a dark and stormy night, it was the best
of times, it was the worst of times. No matter how it begins, everyone
has a story to live. This series looks at the story of the Christian
life. Part Five talks about the tests we encounter along the way.

Podcast: The Story of Your Life, Part Four

It happened one night, it was a dark and stormy night, it was the best
of times, it was the worst of times. No matter how it begins, everyone
has a story to live. This series looks at the story of the Christian
life. Part Four is about Meeting the Mentor. It challenges Christians
to find and be mentors along the journey.

This podcast is just over 8 min. 

 

 

Some posts about art (and the dance of joy because I still miss Balki)

A Disciplined Disciple Artist from Diary of an Arts Pastor–the "Christian artist" v. the "Disciple Artist." Good thoughts here about spiritual formation and art, living wholistically, and the daily rhythm and vision that keeps us from burn-out. Some quotes:

"A disciple artist is fundamentally a disciplined artist, and such an artist is integrated and fully alive."

"The result of all this? We become disciplined artists who are healed
and unafraid, on the one hand, and produce art that is deep and
powerful, on the other."

Practice, Practice, Practice in The Church and Postmodern Culture: Conversation–talks about the practice of the artist (and indeed, the Christian). Some good quotes from this:

"One’s one individuality, which is necessary for
artistic practice [I would add 'in our present culture' as not all art requires individuality], only emerges in and through the interaction with
others, not in isolation from them or their ideas."

"The goal of research, then, is to produce a
“living tradition” of ideas and a “cloud of witnesses” of artists and
thinkers to facilitate the production of deeper and deeper art."

"A Christian does not merely practice prayer, the
reading of the Scriptures, fasting, and the like simply for their own
sake, but as means by which she becomes a better Christian, which
means, becomes more Christ-like. Communion with God is the goal, not increasing in fasting and prayer."

"Artistic practice is not merely about using
techniques to making stuff for people to look at, it’s about making
certain kinds of decisions in the studio and it relates not merely to
the kind of stuff produced but the development of the individual self
that produces them.And so clear but deeply informed thinking is a necessity for mature artistic practice."

Art and Liturgy
from Everyday Liturgy–the importance of story in evangelism (in fact,
this blog focuses a lot on the way liturgy itself is narrative, which
is why I like the blog, and probably why Chris and I now go to an
Anglican church)

"Our human tendency is to embed meaning in
stories,and all great preachers have been great storytellers. Jesus
spoke in parables, not theological discourses."

"For the Christian Liturgy, our story begins at the beginning, with God
as the Creator, and our allegiance to our Creator God is realized in
our worship of Father, Son, and Holy Spirit."

"We know our story, and it is creational, yet we are brought into the
story of God not just through the liturgy as an order of service, but
in our very participation in it, both spiritual and physical. We are
active in Creation not just because we build the Kingdom, but because
every part of us is touched by God, from our souls to the cells in our
tonsils."

And David Gorgone started a good discussion struggling with the uselessness of beauty v. the practical needs of those starving around us: What Is the Point?

And, because it’s Friday, and Perfect Strangers was one of the original TGIFs (I think–I’m not speaking from researched fact here but from unresearched memory), and because to this day, one of my favorite sayings (which often slips out) is "now we do the dance of joy!" (and, yes, the saying is often accompanied by the famed dance of joy), here’s a little treat for you:

The Mailbox

She pops the red flag up, glancing over her shoulder as she does. They all do. She looks at the sky and presses the palms of her hands to her eyes.

It’s Jack I feel bad for. A postal worker in life, he didn’t know he’d be required to continue his courier services by death.

When she’s gone, I collect the letters, one from her to "Mrs. Virginia Anders" and two others. Mrs. Anders is her mom. Or is it was? I’m never sure on these things. I know this because this is her third letter to leave. The first was tentative. "I miss you and love you." You could tell she didn’t know where this was going. The second letter was needier. "I could use you this week! What do I tell him?"

I steam the envelope to her third letter and carefully peel open the flap. She’s angry, oh so angry! "How could you leave me!" she says. In spots, the writing smudges. The color of the ink distends into this circles with ragged edges. The paper’s wrinkled.

Then I do something I’ve never done with any of the letters. I add a note at the bottom. "Mrs. Anders," I write. "Please don’t worry. I’ll take care of her." I refold the letter, return it to the envelope, and glue the flap shut again. Then I take it and the rest of the letters in a metal bowl to John’s gravesite. I light a match and watch them burn like I have for two years now. It’s not in my job description.

The letter in my pocket crinkles when I lie on my back. I pick out a few constellations and wonder about the families of Orion and Gemini. I ask them, Is this right? Will the gods punish me for this? But it doesn’t matter if they do or don’t, so I take the letter and slip it in the mailbox.

It’s almost a week before she comes back. She rifles through the other letters in the mailbox. They all do. No one expects anything, but they hope. You can tell. I know when she sees my letter. Everything in her body halts like she was hit by a sting ray gun. She looks around, but no one else is in this section of the cemetery right now, and pulls the letter out, pocketing it almost before I can see she has it. She starts to put in her letter, but stops. Instead, she leaves with it.

Later that afternoon, she comes to me. I’m in the backhoe, digging another gravesite. My stomach does some sort of basketball play, running every which way. Her facial expression could mean anything. I jump out of the tractor and wipe my hands.

"Yes," she whispers. I can barely hear her, but I know that’s what she says because the next instant, she’s in my arms.

This little diddy was jotted down as part of a writing contest put on by my blogging friend, Tina at Spaghetti Pie. She snapped the picture at a cemetary. This is what came to mind when I saw it.