On Words

Confession: I don’t love words.

Not as some do, studying etymologies, saving pennies (George Washingtons, Ben Franklins) to purchase the Oxford Dictionary.

An odd confession for a writer, I know. But saying "I love words" or "I love the word fructuous. Don’t you just love fructuous?" is akin to claiming an adoration for a certain note. "How wonderful is Eb? I just love that note!"

I leave the word-loving to the poets. I take words, without care to their feelings, and manipulate them, use them willy-nilly to create stories, characters, and, yes, rhythms. I don’t care if the word sounds nice or crass, if it would impress a Cambridge scholar or a soldier on the frontlines of Afghanistan.

This is not to say that I don’t agonize over word choice. I stare at a sentence for hours trying to figure out what’s not working about it, which word offends. Changing a single word can transform a maudlin sentence into a heartwrenching one, a bland paragraph into something amusing, a bitter passage into a sarcastic one.

This is not to say I don’t turn words over while washing the dishes, folding laundry, or showering. I take the words of my story wherever I go. (Hence the need for my handy-dandy Nancy Drew notepad.)

In the end, if you want to know the truth, the words I use are not up to me. My characters make the decisions. Don’t blame me if that curse word’s there. I didn’t put it there. My character did. Hey, I can’t help it if one of my characters likes antiquated terms. She likes to read old books. Personally, I think she’s a pain in the neck, but what can I say? And yes, her husband uses all of those economic terms. Everything can be broken into financial illustrations according to him.

At least I don’t have a character who talks in limericks.

Yet.

On Words and the Lack of Them

He’s probably lounging on a beach in the Caribbean sipping a gin and tonic, goggling the girls with his one good eye.

Meanwhile, I’m stuck, senza Muse, to figure out what to do with this writer’s block.

I’ve deleted more words than I’ve written. How is that mathematically possible, you may ask.

Exactly.

I’m in negative wordage. Which means I have to scribble words on random surfaces until I’m back at zero and can return to my manuscript. I write on Post-It notes, backs of receipts, and bathroom stalls. (Yes, I’ve discovered the mystery. Messages on stall walls were written by blocked writers, not delinquent teens. Tommy Tutone cured his artistic block by scribbling "867-5309" on a bathroom wall.) I create grocery lists I don’t intend to buy, to-do items I’ll never do.

The next time my Muse goes on vacation, I’m going with him.

On Words and Writing

I admit it. Everyday in my email comes Merriam-Webster’s word of the
day.* Not that I actually learn and use these words. But it’s fun to
get them.
Today’s word: locofoco.
Okay–who cares what this actually means? Just saying the word brings a smile to my face.
Locofoco.
Hee-hee.
For those of you who care: "a member of the Democratic party in the United States."
Locofoco.
Can you use that in a sentence, please?

Remember how I talked about one of the greatest things about writing was getting away with stealing? I get to be a pirate!
Here’s another great thing: when you’re a writer, it’s okay to hear voices in your head. In fact, it’s encouraged.
I love being a writer.

*The
story behind Merriam-Webster. There once was a librarian Merriam
(little known fact: the song Marian from Music Man was pilfered from
Merriam and Webster). Always her nose in a book. One day, she looked up
to see the basketball great Webster hiding in a corner. Figuring he
must be up to no good because anytime a jock hid in her library it was
no good, she approached him.
But no! He was reading! Actually reading!
"Don’t tell no one," he whispered, "But I love words."
They met in that corner everyday for seven months.
Until Webster’s parents discovered them.
"For
shame!" the parents said (together, because they talked in chorus
often). "A librarian!" The parents grabbed the book away from Webster
(again together, because the acted in chorus often), and shipped him on
a bus to Indiana, because that’s where all basketball players go.
"You will be one of the greats!" they said.
Poor Merriam. Her kindred spirit gone. Picking up the book discarded by Webster’s parents, she hugged it to her.
Epiphany! The lightbulb flashed! They wouldn’t be separated. They would find a way!
Though
those were the days preceding email, she employed something called a
pen and paper (you can look these items up in the dictionary or an
encyclopedia). Back and forth, Merriam and Webster wrote letters
collecting words.
One day, Webster met a guy named Britannica.
"Britannica, old boy," Webster said. "Will you marry my love and I?"
"And me," Britannica said.
"No, just the two of us."
Over the phone, Britannica pronounced them husband and wife.
They never saw each other again, Merriam and Webster, but they are forever bound (hee-hee, get it? bound?).

Coda: By the way, this is what’s known as ternary.

A Word a Day

Addlebrained, pernicious, bellicose. I love words. I confess: every day
in my email there’s a new word of the day from Merriam-Webster. I don’t
actually learn a new word. No, either I know the word or I’m too lazy
to use the word three times in the day, the practice which is supposed
to solidify your knowledge of said word (as long as you said the word,
three times at least). But I do get to hear the new word in my head
(some would argue I hear more than that in my head). I get to roll it
around on my tongue before deleting the email.
Perhaps even more
than words themselves, I love metaphors, this invention that brings
together ideas such as insomnia and painting your bathroom into an
Oscar and Felix relationship.
Words and metaphors are like blankets.
Right now I’m cuddled up with a blanket my mom made us. It has bright
colored squares that match a painting hung on our wall beside the
piano. My husband made the painting, and the blanket, soft and warm,
matches perfectly. The blanket goes in the house.
Words and
metaphors, no matter how pretty, no matter how they feel inside your
mouth or how erudite they look on paper, must match the painting above
the piano. Huck Finn would not say, "The verdant hills rolled hither, a
coterie of cotillian girls swishing their skirts" etc., etc., etc. At
times, I learn a new word, and I need to use it. Come on,
pretty please? With sugar on top? No matter that the character’s POV is
a six-year-old girl. Of course she would refer to the old woman as vitriolic.
Which
just makes me glad that God loves me. He loves Paul with his long,
diagrammed, Platonic sentences and Mark with his crisp immediacy and
the author of Jonah with his simplicity and the composers of the Psalms
with their flowery metaphors. And God loves me.
Which for 6AM for a night owl with insomnia, is saying a great deal.

The Words We Use


I love words. What writer doesn’t? What reader doesn’t? Sometimes, when I remember, I go to Miriam Webster online for the word of the day just to experience a shiny new word. I love how words feel. They are like incense that fills the room. After a while, you don’t realize that incense is burning. It’s part of the room, part of the atmosphere. When I am reading or writing a book, that book becomes my reality, and the words create the world.
More than words, I adore metaphors. They connect seemingly at odds ideas. I love the way the words twist together in a metaphor. Like Lisa Samson. She is the queen of metaphors. “As messy as a presidential impeachment.” She was talking about a closet.
I’ve learned something new about myself and words recently. You see, I’m tutoring through an ESL program. Sometimes my student asks me what a word means. I have a hard time telling her a definition. I want to tell her how the word feels. Friday, we were reading Nancy Drew and encountered “looming.” “I don’t know this word,” she told me. Hmm, looming. It means looming. It feels intimidating. I wanted to show her the meaning by looking with wide eyes at a larger than life object half hidden by the midst in the beyond. Looming. Yeah, I’m great at this job.
The words we use and how we use them fit and shape the genre. I just finished a Kathy Reichs novel. Forensics. Short, choppy sentences. Just the facts. The words fit the character.
Lisa Samson’s novel: metaphors, descriptions. Fit the character.
You can tell a person by the words they use. What kind of words do you use?